Details, Fiction and live resin bulk copyright 0 29
Notions of looking and voyeurism are tackled spatially and architecturally in “Good For Me.” In this collection, swooping strains produce a kind of peephole outcome that reveals Mundt in two diverse poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which appears in other paintings during the exhib